aiyana alzamora
oso-philia (love of oscilloscope)
from february to may 2026
shown at gradex111
and parlour’s treat me as though
from february to may 2026
shown at gradex111
and parlour’s treat me as though
a body of thesis work documenting a relationship with an oscilloscope through a series of experiments performed between february 2026 and may 2026. an oscilloscope is a piece of engineering equipment that graphs voltage over time, creating a visual that’s essential for signal analysis.
some performances included:
test a signal
figure out basics
read the secretary
sit in the grass
confessional
tease
read with my friends
listen to you
give my heart
spit
flick



polaris music prize poster
edition of 50, screenprint
edition of 10 artist prints, screenprint + spray paint
2026
edition of 50, screenprint
edition of 10 artist prints, screenprint + spray paint
2026
this limited release poster was created for angine de poitrine, the winners of both polaris album and song prize. inspired by metaphysics, conspiracies, and birth charts, i wanted to expand the angine universe with my own twist. i generated the birth chart for the album with the star signs being references to their own easter eggs
through aftermodern.lab
through aftermodern.lab

grassroots journal for mcgill university
book design and typesetting
edition of 50
2026
book design and typesetting
edition of 50
2026
grassroots is a journal of civil society studies published by borderless world volunteers at mcgill university.
made in collaboration with celine fu
made in collaboration with celine fu
polaris heritage prize poster
series of 50, screenprint
2025
series of 50, screenprint
2025
this limited release poster was created for jane siberry, one of the recepients of the polaris heritage prize for her album the speckless sky. the poster was inspired by the otherworldly synthetic sounds within the album.
through aftermodern.lab
through aftermodern.lab

censorship as creative practice (3)
research publication
2025
research publication
2025
this is the 3rd installment of a series of publications aiming to look at censorship in art. each media type has a designated colour and size; it can be read forwards and backwards. all highlighting different ways of addressing the research question, with my question and personal thoughts as the cover.












